Constantin Antonovici Romanian-American, 1911-2002

Biography

Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn. In 1945 and again in 1947, Antonovici studied woodcarving in Tirol, Germany. He then traveled to Italy and finally to Paris where he met Constantin Brancusi, with whom he worked until 1951. Antonovici was the recipient of the only certificate Brancusi ever offered to a fellow sculptor. Even though artists more famous, such as Isamu Noguchi, Henry Moore, Jean Arp and Modigliani, collaborated with Brancusi, no one worked closer with the master than Antonovici.

Although Brancusi is often said to have given up on famous sculptors whom he did not consider worthy, Antonovici, thirty-five years his junior, captured his masters respect. He impressed by using a variety of materials, including wood, bronze, aluminum, marble, stone, and plastic. He also possessed an artistic lucidity that allowed him to stylize and simplify to find fundamental and essential forms, which was also central to Brancusi's art. Antonovici's recurring motif which surfaces almost obsessively throughout his creation was the owl, which he believed shared the sculptors capacity to see in the dark.

Antonovici moved to the United States in 1953, where he was given a studio and commissioned by the Cathedral St. John the Divine in New York City. During this period he created mostly ecumenical works, such as the marble lid of the coffin of Bishop William Manning, a stone cross on the Amsterdam Avenue side of the cathedral, 90 ft. from the street level, and portraits. Antonovici was highly prolific and widely recognized throughout his career. He exhibited in France, Italy, Romania, the US, and his sculptures were acquired by many private collectors. He was a member of the National Society of Literature and the Arts, the International Platform Association, and the National Sculptural Society, in addition to receiving an honorary medal from the Academy of Brazil. His bust of Dwight Eisenhower is part of the White House collection. Other classical busts he carved include Voltaire, Ludwig van Beethoven, Charles de Gaulle, Bishop William Manning, Ciprian Porumbescu (a Romanian composer), Brancusi, Homer, Moses, Mefistofel, Dali, Paulette. His work was reviewed and praised by numerous art critics including Alain Bosquet, Georges Boudaille, Michelle Seurier, Fritz Spitzer, Donelson F. Hoops, and Ralph Fabri.

 

Constantin Antonovici died on Feb. 5th, 2002, in New York City. His work is in the permanent collection of the Kreeger Museum, Washington DC and a catalogue raissonee was published in 2013.

Artworks
  • Wood sculpture of mother and child, cylinder shaped with figures in etched lines
    Mother and Child, circa 1957
  • Large brown wood sculpture looking like an amphora with a low handle.
    Romanian Tradition, circa 1950s
  • Modernist white marble sculpture of vertical owl with stylized eyes and head, on white marble base
    Owl (Untitled [White Marble]), 1975
  • Modernist bronze sculpture of a stylized owl with large eyes perched on a circular base
    Owl (Untitled [Bronze]), 1974
  • Modernist bronze sculpture of a stylized profile with a braided hairdo reminiscent of folklore motifs, on bronze base
    Pony-Tail Girl, 1971
  • Modernist polished aluminum sculpture of vertical owl with stylized eyes and head, on brown marble base
    Owl (Untitled [Silver]), 1958
  • Brownish bronze sculpture of a stylized head with a hat, hollow, on marble pedestal
    Head of Brancusi, 1957
  • Modernist bronze sculpture of stylized owl represented by vertical bar, one eye open, one closed, on circular perch
    Owl (Untitled [Bronze]), 1957
  • Modernist marble & metal sculpture looking like a stylized torso (gray, green marble), on marble base
    Torso, 1957
  • Modernist oxidized bronze sculpture of a stylized, cone-shaped head with a hat
    Head of Brancusi V, 1956
  • Modernist polished bronze sculpture of a head with stylized eyebrow and nose, cut in an angle on one side
    Modern Head, 1953
  • Modernist bronze sculpture of a stylized owl with perched on a semi-circular base
    Owl [Untitled Bronze], 1942
Exhibitions
Bibliography

SOLO EXHIBITIONS

 

2021 - Westwood Gallery NYC, Constantin Antonovici, Mythical Modernism: Sculptures, 1942-1975

2004 - Gallery: Gertrude Stein, New York, NY, Constantin Antonovici

1964 - Mott Gunther Foundation, Washington D.C.

1964 - Corcoran Art Gallery, Washington D.C.

1961 - Philadelphia, PA

1959 - Mond'ART Galeries, New York, NY

1949 - 9 bis, Rue Jean-de-Beauvais, Paris, France

1946 - Innsbruck, Austria

 

GROUP EXHIBITIONS

1974 - National Sculpture Society, New York, NY

1973 - National Sculpture Society, New York, NY

1971 - National Sculpture Society, New York, NY

1969 - National Sculpture Society, New York, NY

1968 - National Sculpture Society, New York, NY

1967 - National Sculpture Society, New York, NY

1962 - Philadelphia, PA

1951 - Salon des Indépendants, Paris, France

1950 - Salon des Indépendants, Paris, France

1951 - Salon de l'Art Libre, Paris, France

1946 - Innsbruck, Austria

1944 - Vienna, Austria

1938 - Iasi, Romania

Press