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Past Exhibition

Andy Warhol

Drawn to Dance

Forty-nine drawings

WESTWOOD GALLERY NYC presents a premiere gallery exhibition of 49 original drawings by Andy Warhol. The free form ink drawings from 1955 to 1967 are a reflection of Warhol’s fascination with the performing arts during his rise from commercial artist to the launch of his fame as a global Pop artist.

Curated by James Cavello

New York, NY -- WESTWOOD GALLERY NYC presents a premiere gallery exhibition of 49 original drawings by Andy Warhol. The free form ink drawings from 1955 to 1967 are a reflection of Warhol’s fascination with the performing arts during his rise from commercial artist to the launch of his fame as a global Pop artist. The drawings represent a hidden treasure for 50 years, exhibited only once before in 2012 at The National Arts Club.

Andy Warhol arrived in New York City in 1949 at the age of 21 after graduating from Carnegie Institute of Technology. While at Carnegie he developed interests in dance and performing arts and enrolled in a modern dance class where he was the only male student. In New York City the 1950’s were a golden post-war era of magazines, advertising and consumerism. Warhol was one of the most successful commercial artists, creating sought-after drawing illustrations with shoes, flowers and happy promotional images. Although he yearned to be in the circle of fine art artists in New York and focus on experimentation with various art media, he began to meet people of interest in the cultural milieu in Manhattan. Warhol devotedly attended performing arts, theater, ballet, concerts and counterculture events.

Warhol met Lydia Joel in the early 1950's at a dance concert, she was Editor-in-Chief of Dance magazine from 1952-69. Lydia Joel was later portrayed by Debbie Allen in the movie Fame (after leaving Dance Magazine, Lydia became the head of the dance department at the School of Performing Arts, 1973-84).





Through 1967 Warhol called upon Lydia, meeting her at the magazine office, to converse on contemporary dance and performance. He gifted a drawing to her at most of their meetings as a token of appreciation for her commitment to the arts. After viewing Warhol's artwork, Lydia selected or requested several drawings for Dance magazine, such as a cover portrait of a ballerina en pointe in 1958 and another cover of the late dancer, Doris Humphrey in 1959. In June 2007, Dance Magazine reprinted some of the Warhol drawings in an article to celebrate their 80th year in publication. Lydia Joel died in 1992 and a private collector acquired the entire collection of her Warhol drawings.

The 49 original ink drawings are curated into groups, including performing ballerinas, an array of dancing figures clothed in half white and half black, acrobats and circus performers, famous destinations such as Covent Garden and the Eiffel Tower, as well as a series based on a sketched character with only a head and arms in various mundane poses. This child-like character repeats itself in a collective of images with gears, cogs and wires, appearing lost in a progression of moving parts. Within the collection of 49 drawings, Warhol's direction changes over the years, from whimsical to perplexing. These unaffected and introspective drawings are a reflection of Warhol's experiences during his formative years and provide a view into the artist's cryptic visual language. Warhol quote: I never wanted to be a painter; I wanted to be a tap dancer”