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Past Exhibition

Will Insley

Foundations of ONECITY

1960’s and Ten Artists On the Bowery, 1971

The exhibition includes six large-scale modular paintings from the 1960’s, as well as smaller maquette collaged paintings, foreshadowing Will Insley’s life-long ONECITY project. Also presented is an exhibition of “Artists on the Bowery”, a 1971 portfolio with ten silkscreen prints of artists who worked in the Bowery artist community at the time.

Curated by James Cavello

Will Insley

Foundations of ONECITY, 1960’s

and

Ten Artists On the Bowery, 1971

September 8 – November 5, 2016


New York, NY -- WESTWOOD GALLERY NYC is pleased to announce the relocation and launch of their new gallery at 262 Bowery. Established in 1995 by co-owners James Cavello and Margarite Almeida, WESTWOOD GALLERY NYC focuses on a contemporary program of artists, including rediscovered artist estates, current artist projects, secondary market and photography. WESTWOOD GALLERY NYC will present a series of exhibitions dedicated to artists in the Bowery Arts District, past and present.

The exhibition includes six large-scale modular paintings from the 1960’s, as well as smaller maquette collaged paintings, foreshadowing Will Insley’s life-long ONECITY project. Also presented is an exhibition of “Artists on the Bowery”, a portfolio edition from 1971 with ten silkscreen prints and ten biographical prints of artists who lived and worked in the Bowery artist community of its time. Along with Will Insley, these artists include Cy Twombly, Robert Indiana, Robert Ryman, Charles Hinman, John Giorno, Richard Smith, Les Levine, Gerald Laing and John Willenbecher.

Will Insley (1929-2011) created a 50 year artwork legacy entitled ONECITY. A merger of abstraction and architecture ONECITY is a massive 675 mile square labyrinthine imaginary city located in the center of the United States, housing 400 million people. In the 1950’s, after graduating with a degree in architecture from Harvard Graduate School of Design, Insley never built a building, but began his art career with an exploration in various media. In the 1960’s he formulated grid and modular geometric paintings focused on the inner field and diagrammatic shaped paintings. In the 1970’s and 80’s he created detailed pencil drawings of ONECITY buildings and defined the city outline on a map of the U.S. He added photomontage to provide a view of building depth and dimension with tiny figures for scale as well as a large scale model of ONECITY. Into the 1990’s Insley’s paintings of ‘Wall Fragments,’ with intersecting mathematical lines, depicted fragments from ONECITY “to imply the greater, but present the lesser which could fit within an indoor space.” During these years he typed free flowing ideas about ONECITY, often positioning his typewritten text into constructed patterns.

Insley’s desire was to challenge and investigate the principles of architecture, civilization, social order, ideas, abstraction, even artistic beauty. He also wanted to leave perception to the viewer, especially with his ‘abstract’ buildings which convolve reality and non-reality. The societal order of ONECITY addresses the light and dark aspects of humanity through Insley’s interpretation of its citizens’ daily lives.

Will Insley’s works are included in the collections of numerous museums along with solo exhibitions at the Guggenheim Museum NY (1984), the Chicago Museum of Contemporary Art (1976) and the Museum of Modern Art NY (1971) and were included in documenta Kassel 5 and 6 (1972 and 1977). Many collectors and artists are intrigued with Insley’s work, such as the late Sol LeWitt who acquired Insley’s work for his own collection (recently exhibited at The Drawing Center, NYC). Insley’s influences include Robert Smithson, Étienne-Louis Boullée, Frank Stella and other artists and architects. Over the decades his galleries have included Stable, Fishbach and Protetch. Insley also taught at School of Visual Arts for over 30 years.

In his late 70’s, after 15 years without representation, Will Insley reached out to WESTWOOD GALLERY NYC. Since then, the Gallery has acquired the artist’s estate and continues to catalogue, preserve and exhibit his art. Acquisitions from the collection support these activities which include plans to publish his writings and further explore ONECITY in books and film.

Learn more about Will Insley here

Artwork © WESTWOOD GALLERY NYC

On the Bowery

The portfolio, “On the Bowery,” exhibited in conjunction with Will Insley's works, consists of ten silkscreens by the representative artists of the period who had studios in the vibrant downtown community. The exhibition showcases each artwork in relation to the artist photographed in his working environment, thus recapturing creative atmosphere that characterized the Bowery as a cultural milestone of the New York School. Artists include Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing, and John Giorno. All artworks were created in the period 1964-71, and the biographical prints photographed by Eliot Elisofon (1911-1973), who lived on the Bowery and was a founding member of the Photo League in 1936 highlight each artist in his working environment, the Bowery studio.

The portfolio also highlights the history of the Bowery Arts District, an area where from the 1950’s artists created their artwork. In the essay from the portfolio, William Katz highlights the history of the area: “There is no sense of an ‘artists’ community‘ but artists have been attracted by the area for twenty years. In the late 40’s and 50’s Clyfford Still, Mark Rothko, Léger and Dubuffet, among others, had studios on the Bowery, and deKooning, Franz Kline and Reginald Marsh worked nearby. In the early 60’s, Louise Nevelson took a place on Mott Street just off the Bowery and was joined not long after by other artists attracted by the lofts for reasonable rents and the relaxed, small-time quality of the area.” As New York artists gravitated to this area where they could obtain more space for a lower cost, they became integral in defining the neighborhood as cultural center.


MORE INFORMATION ON WILL INSLEY BELOW

Solo Exhibitions

  • 2012 - Foundation ONECITY. Paintings from the 1960s., Westwood Gallery NYC

  • 2010 - Will Insley: ONECITY Wall Fragments from the Walls of ONECITY, Westwood Gallery, New York City

  • 1996 - Will Insley: The Drawings, New Arts Program, Leigh Valley, PA

  • 1995 - Will Insley: Wall Sections from the Prisons of One City, Hanes Art Center, University of North Carolina at Chapel Hill

  • 1992 - Will Insley: Wall Fragments and Drawings II, Max Protetch Gallery, New York

  • 1990 - Will Insley: Grids , Vrej Baghoomian Gallery, New York City

  • 1990 - Will Insley: Wall Fragments and Drawings I, Max Protetch Gallery, New York

  • 1988 - Will Insley: Drawings, Max Protetch Gallery

  • 1988 - Will Insley: New Wall Fragments, Max Protetch Gallery, New York City

  • 1985 - Will Insley: Drawings 1985, Max Protetch Gallery, New York City

  • 1984 - Solomon Guggenheim Museum, The Opaque Civilization

  • 1982 - Section Drawings of a Building from ONECITY, Max Protetch Gallery, New York

  • 1980 - First Drawings of ONECITY, Max Protetch Gallery, New York

  • 1978 - Pläne für eine ander Welt: Gedächte und gebaute Raumvorstellungen, Gallery Orny, Munich, Germany

  • 1977 - Architectural Drawings, Protetch-McIntosh, Washington D.C.

  • 1977 - Will Insley: Architectural Drawings, Max Protetch Gallery, New York

  • 1976 - Museum of Contemporary Art, Chicago, IL

  • 1976 - Annemarie Verna, Zurich, Switzerland

  • 1976 - Fischbach Gallery, New York

  • 1975 - College Arts Gallery, Ohio State University, Columbus, OH

  • 1975 - Allen Priebe Gallery, University of Wisconsin, Oshkosh, WI

  • 1974 - Württembergischer Kunstverein Stuttgart, Germany

  • 1974 - Annemarie Verna, Zurich, Switzerland

  • 1974 - Fischbach Gallery, New York

  • 1973 - Will Insley, New York: Pläne für eine andere Welt: Gedächte und gebaute Raumvorstellungen, Museum Haus Lange, Krefeld, Germany

  • 1973 - Fischbach Gallery, New York

  • 1972 - Buildings by Will Insley, Visual Arts Gallery, New York

  • 1972 - Paul Maenz, Cologne, Germany

  • 1971 - Will Insley, Ceremonial Space, Museum of Modern Art, New York

  • 1969 - Will Insley: Space Diagrams, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1969 - Channel Space, John Gibson Commissions, Inc., New York

  • 1968 - Albright-Knox Art Gallery, Buffalo, NY

  • 1968 - Stable Gallery, New York

  • 1968 - Walker Art Center, Minneapolis, MN

  • 1967 - Weatherspoon Art Gallery, University of North Carolina

  • 1966 - Stable Art Gallery, New York

  • 1965 - Stable Art Gallery, New York



Group Exhibitions

  • 2013 - Cellblock I and II, An Essay In Exhibition Form, Andrea Rosen Gallery

  • 2012 - Art Wynwood, Westwood Gallery NYC

  • 2012 - On the Bowery. Silkscreens by Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing, John Giorno. Photographs by Eliot Elisofon, Westwood Gallery NYC

  • 2012 - Towards A Warm Math, On Stellar Rays Gallery NYC

  • 2011 - Art Miami, Westwood Gallery NYC

  • 1998 - Masters of the Masters, Butler Institute of American Art, Youngstown, OH

  • 1996 - Extended Minimal, Max Protetch Gallery, New York

  • 1995 - Drawing the Line, Ackland Art Museum, Chapel Hill, NC

  • 1995 - Alchemy, Procter Art Center, Annandale-on-Hudson, NY

  • 1995 - American Sculptors in the 1960s. Selected Drawings from the Collection, Museum of Modern Art, New York

  • 1994 - Off Balance, Artrax, New York

  • 1993 - On Paper, TZ’Art & Co, New York

  • 1992 - The Living Object: The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Oberlin, OH

  • 1989 - Geometric Abstraction and the Modern Spirit, Neuberger Museum, SUNY Purchase, Purchase, NY

  • 1989 - Max Protetch Gallery: 20 Years, Max Protetch Gallery, New York

  • 1988 - Kolner Kunstmarkt, Cologne, Germany

  • 1988 - 20th Anniversary Group Exhibition, Paula Cooper Gallery, New York

  • 1987 - Selections from Solid Abstractions, Saxon Lee Gallery, New York

  • 1987 - Group Show Gallery Artists, Max Protetch Gallery, New York

  • 1985 - Between Science and Fiction, Fundaçao Bienal de Sao Paulo, Brazil

  • 1985 - Geometric Abstractions: Selections from a Decade, 1975-1985, Bronx Museum of the Arts, Bronx, NY

  • 1984 - From the Collection of Sol LeWitt, The University Art Museum, California State Museum, Long Beach, CA

  • 1984 - Indiana Influence: The Golden Age of Indiana Landscape Painting. Indiana’s Modern Legacy: An Inaugural Exhibition of the Fort Wayne Museum of Art, Fort Wayne Museum of Art, Fort Wayne, IN

  • 1984 - Winter Group Exhibition, Protetch-McNeil, New York

  • 1984 - Dreams and Nightmares-Utopian Visions in Modern Art, Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC

  • 1983 - Drawings 1983, Annemarie Verna, Zurich, Switzerland

  • 1983 - Painting and Sculpture , Max Protetch Gallery, New York

  • 1983 - Connections:Bridges/ Ladders/ Ramps/ Staircases/ Tunnels, Institute of Contemporary Art, University of Pennsylvania, PA

  • 1983 - Abstract Painting: 1960-69, Institute for Art and Urban Resources, PS1, Long Island City, NY

  • 1982 - Post-Minimalism, Aldrich Museum of Contemporary Art, Ridgefield, CT

  • 1981 - Imaginary Civilizations , Tyler and Penrose Galleries, Tyler School of Art, Elkins Park, PA

  • 1981 - Amerikanische Zeichnungen der siebziger Jahre/ Drawing Distinctions: American Drawings of the Seventies , Louisiana Museum of Modern Art, Humlebaek, Denmark

  • 1980 - Architectural Sculpture , Los Angeles Institute of Contemporary Art, Los Angeles, CA

  • 1980 - Drawings/Structures , Institute of Contemporary Art, Boston, MA

  • 1980 - Michael Rea Collection of American Art 1960-80, McIntosh-Dysdale, Washington, DC

  • 1980 - Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, UK

  • 1979 - Indiana / New York, Washington Gallery, Indianapolis, IN

  • 1979 - Mind, Child, Architecture, New Jersey Institute of Technology, School of Architecture Gallery, Newark, NJ

  • 1979 - Drawings about Drawings: New Directions (1968-1978), Ackland Memorial Art Center, University of North Carolina, Chapel Hill, NC

  • 1979 - Art and Architecture: Space and Structure, Protetch-McIntosh, Washington, DC

  • 1978 - Dwellings, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1978 - Inaugural Exhibition, Max Protetch Gallery

  • 1977 - documenta 6, Kassel, Germany

  • 1976 - Fischbach Gallery, New York

  • 1976 - Painting, Drawing and Sculpture form the 60s and 70s from the Dorothy and Herbert Vogel Collection, Philadelphia College of Art, PA

  • 1976 - Art That Involves Words, Max Protetch Gallery, New York

  • 1976 - Drawing Today in New York , Sewall Gallery, Rice University, Houston, TX

  • 1976 - Private Notations: Artist’s Sketchbooks II, Philadelphia College of Art, Philadelphia, PA

  • 1976 - 15, John Gibson Gallery, New York

  • 1976 - New Gallery Artists, Max Protetch Gallery, New York

  • 1976 - Jahre Museum Haus Lange: Eine Retrospektive der Ausstellungen 1955 bis 1975, Museum Haus Lange, Krefeld, Germany

  • 1976 - American Salon des Refuses, Stamford Museum and Nature Center, Stamford, CT

  • 1975 - Narrative in Contemporary Art , McLaughlin Library, University of Guelph, Ontario, Canada

  • 1975 - Painting, Drawing and Sculpture from the 60s and 70s , the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1975 - Labyrinth: Symbol and Meaning in Contemporary Art, Watson Gallery, Wheaton College, Norton, MA

  • 1975 - Contemporary Drawings, William Paterson State College, Wayne, NJ

  • 1975 - Works on Paper, Annemarie Verna – Art 6/75, Basel, Switzerland

  • 1975 - Drawings U.S.A. '75, Minneapolis Museum of Art

  • 1975 - 20th Century Drawings, Hawthorne Gallery, Skidmore College, Saratoga Springs, NY

  • 1974 - Drawings 1974, Anemarie Verna, Basel, Switzerland

  • 1974 - Recent Acquisitions , Museum of Modern Art, New York

  • 1974 - Art Now 74: A Celebration of American Arts, John F. Kennedy Center for the Performing Arts, Washington, DC

  • 1974 - Art for Collecting , Akron Art Institute, Akron, OH

  • 1974 - Dealer's Choice, New York Cultural Center, New York

  • 1973 - American Drawings, New Gallery of Contemporary Art, Cleveland, OH

  • 1973 - Drawings 1963-1973, Whitney Museum of American Art, New York

  • 1973 - Art in Space: Some Turning Points , Detroit Institute of Arts, Detroit, MI

  • 1972 - Fischbach Gallery, New York

  • 1972 - Documenta 5 1972, Kassel, Germany

  • 1972 - Making Megalopolis Matter, New York Cultural Center, New York

  • 1972 - 7 Kolner Kunstmarkt, Cologne, Germany

  • 1972 - Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1972 - Drawings by New York Artists, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT (travelled to Henry Gallery, University of Washington, Seattle, WA; University Art Collection, Arizona State University, Tempe, AZ; Georgia Museum of Art, University of Georgia, Athens, GA; Finch College Museum of Art Contemporary Study Wing, New York; Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA)

  • 1971 - John Gibson: New York, Galerie Daniel Templon, Paris, France

  • 1971 - International Frujahrmesse, Berliner Galerien, West Berlin, Germany

  • 1971 - Projected Art, Finch College Museum of Art, New York

  • 1971 - Willard Gallery, New York

  • 1970 - L’art vivant aux Etats-Unis, Foundation Maeght, St. Paul-de-Vence, France

  • 1970 - Documentations 1970, John Gibson Gallery, New York

  • 1970 - The Expressive Line , Hecksher Museum, Huntington, NY

  • 1969 - Drawings 1969, Paula Cooper Gallery, Leo Castelli Gallery, New York

  • 1969 - Simultaneously, School of Visual Arts Gallery, New York

  • 1969 - Long Beach Island, New Jersey, Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ

  • 1969 - Will Insley, Fred Mitchell, Steve Poleskie, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY

  • 1969 - Ecological Art , John Gibson Gallery, New York

  • 1969 - Between Object and Environment: Sculpture in an Extended Format, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1968 - J.L. Hudson Gallery, Detroit

  • 1968 - The Weatherspoon Annual Exhibition: Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

  • 1968 - The Art of the Real, Paula Cooper Gallery, New York

  • 1968 - First World Triennial, New Delhi, India

  • 1968 - Painting: Out from the Wall, Des Moines Art Center, Des Moines, IA

  • 1968 - Cool Art , Aldrich Museum of Contemporary Art, Ridgefield, CT

  • 1968 - Painting Annual , Whitney Museum of American Art, New York

  • 1968 - Drawings, Heiner Freidrich Gallery, Munich, Germany

  • 1968 - Drawings, University of Puerto Rico, San Juan, PR

  • 1967 - First Kent Invitational, College Gallery, Kent State University, OH

  • 1967 - Sixth Biennial, Republic of San Marino, Brazil

  • 1967 - Schemata 7, Finch College Museum of Art, New York

  • 1967 - Monuments , Richard Feigen Gallery, New York

  • 1967 - Art Objectif, Galerie Stadler, Paris, France

  • 1967 - Contemporary American Painting and Sculpture 1967, Krannert Art Museum, Champaign, IL

  • 1966 - Park Place Gallery, New York

  • 1966 - Rigelhaupt Gallery, Boston, MA

  • 1966 - Art in Process. The Visual Development of A Structure, Finch College Museum of Art, Contemporary Study Wing, New York

  • 1966 - Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York

  • 1966 - Systemic Painting, Solomon R. Guggenheim Museum, New York

  • 1965 - A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward, Lyman Allyn Museum, New London, CT

  • 1965 - 25th Annual Exhibition by the Society for Contemporary American Art, Art Institute of Chicago

  • 1965 - Benefit for C.O.R.E, Graham Gallery, New York

  • 1965 - Shape and Structure 1965, curated by Frank Stella and Henry Geldzahler (Donald Judd, Carl Andre, Charles Hinman) Tibor de Nagy Gallery, New York

  • 1965 - Daniels Gallery, New York

  • 1955 - Behn Moore Gallery, Cambridge, MA

  • Whitney Museum of American Art, New York City

  • Brooklyn Museum of Art

  • Museum of Modern Art, New York City

  • The Drawing Center, NYC

  • Smithsonian American Art Museum, Washington, D.C.

  • Walker Art Center, Minneapolis, MN

  • Krannert Art Museum, University of Illinois at Urbana-Champaign

  • Ackland Art Museum

  • Allen Memorial Art Museum at Oberlin College

  • Andrew Dickson White Museum of Art at Cornell University

  • Des Moines Art Center, Des Moines, IA

  • Henry Art Gallery, University of Washington

  • Hirshorn Museum and Sculpture Garden, Washington, D.C.

  • Indianapolis Museum of Art, Indianapolis, IN

  • North Carolina Museum of Art, Raleigh, NC

  • Weatherspoon Art Museum, Greensboro, NC

  • Institute of Contemporary Art, University of Pennsylvania

  • Solomon R. Guggenheim Museum, New York

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