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Past Exhibition

Will Insley

ONECITY

Wall fragments, drawings, photo-montage

Curated by James Cavello

WESTWOOD GALLERY NYC presented a solo exhibition of artwork by New York artist, Will Insley (1929-2011). ONECITY, envisioned by Insley is a 675 mile square architectural labyrinth of mythology buried in the central North American plains. It is designed as an imaginary city to house 400 million people of the time, considered the entire population of the United States. During the era of ONECITY the outer rim of the country is inhabitable, possibly due to environmental devastation.

The drawings on exhibit represent architectural renderings of abstract buildings which surround ONECITY as vacant ruins to be abandoned after they are built. Insley created over 40 drawings of abstract buildings, originally shown in his exhibition at the Solomon Guggenheim Museum, NYC in 1984. Insley’s extensive architectural design contained more than 14,000 buildings on the outskirts, with each unit two and half miles wide, rendered through drawings and sculptures photographed in the landscape and turned into photo-montages.

In Insley’s view, who developed a complete sociopolitical structure for the community, ONECITY has a daily democratic voting system to address its various matters, with no designated leader to direct the community affairs. Rather than following an upward-mobile religious hierarchy, the citizens honor the horizon separating the earthly from the celestial as a holy, sacred expanse. In the center of ONECITY lies the Opaque library, considered to be "the seed and soul" of the city, due to its contents of publicly withheld secrets and confidential information. The Ninth Arena is reserved for criminals whose punishment is to eliminate one another in "Theaters of Death."


Wall Fragments

Insley's "Wall Fragments", large scale acrylic on masonite paintings, are seen by the artist as remnants of ONECITY's walls. He asserts "if there are wall fragments, there must be buildings; if buildings, a city, if a city, a civilization, if a civilization, a religion; -- all the ingredients to form a mythological context." Through this contextual frame, Insley builds an abstract civilization shaped by logic, dimension and spatial theories along with the complex relations of citizens existing in a futuristic society, to create a geometrically-based metropolitan environment.

Diane Waldman, Deputy Director, Guggenheim Museum, 1984 states about Insley and ONECITY: "By means of his geometric imagery [Insley] explores the potential of an architecture unlimited by the restrictions of reality; perhaps paradoxically, through the cool and rational appearance of his art he elaborates the myth of a dark and mysterious civilization outside of normal time".

Learn more about Will Insley here.
Learn about Will Insley's earlier work, Foundations ONECITY here.

WESTWOOD GALLERY NYC owns the Estate of Will Insley. All images copyright Will Insley.

Solo Exhibitions

  • 2012 - Foundation ONECITY. Paintings from the 1960s., Westwood Gallery NYC

  • 2010 - Will Insley: ONECITY Wall Fragments from the Walls of ONECITY, Westwood Gallery, New York City

  • 1996 - Will Insley: The Drawings, New Arts Program, Leigh Valley, PA

  • 1995 - Will Insley: Wall Sections from the Prisons of One City, Hanes Art Center, University of North Carolina at Chapel Hill

  • 1992 - Will Insley: Wall Fragments and Drawings II, Max Protetch Gallery, New York

  • 1990 - Will Insley: Grids , Vrej Baghoomian Gallery, New York City

  • 1990 - Will Insley: Wall Fragments and Drawings I, Max Protetch Gallery, New York

  • 1988 - Will Insley: Drawings, Max Protetch Gallery

  • 1988 - Will Insley: New Wall Fragments, Max Protetch Gallery, New York City

  • 1985 - Will Insley: Drawings 1985, Max Protetch Gallery, New York City

  • 1984 - Solomon Guggenheim Museum, The Opaque Civilization

  • 1982 - Section Drawings of a Building from ONECITY, Max Protetch Gallery, New York

  • 1980 - First Drawings of ONECITY, Max Protetch Gallery, New York

  • 1978 - Pläne für eine ander Welt: Gedächte und gebaute Raumvorstellungen, Gallery Orny, Munich, Germany

  • 1977 - Architectural Drawings, Protetch-McIntosh, Washington D.C.

  • 1977 - Will Insley: Architectural Drawings, Max Protetch Gallery, New York

  • 1976 - Museum of Contemporary Art, Chicago, IL

  • 1976 - Annemarie Verna, Zurich, Switzerland

  • 1976 - Fischbach Gallery, New York

  • 1975 - College Arts Gallery, Ohio State University, Columbus, OH

  • 1975 - Allen Priebe Gallery, University of Wisconsin, Oshkosh, WI

  • 1974 - Württembergischer Kunstverein Stuttgart, Germany

  • 1974 - Annemarie Verna, Zurich, Switzerland

  • 1974 - Fischbach Gallery, New York

  • 1973 - Will Insley, New York: Pläne für eine andere Welt: Gedächte und gebaute Raumvorstellungen, Museum Haus Lange, Krefeld, Germany

  • 1973 - Fischbach Gallery, New York

  • 1972 - Buildings by Will Insley, Visual Arts Gallery, New York

  • 1972 - Paul Maenz, Cologne, Germany

  • 1971 - Will Insley, Ceremonial Space, Museum of Modern Art, New York

  • 1969 - Will Insley: Space Diagrams, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1969 - Channel Space, John Gibson Commissions, Inc., New York

  • 1968 - Albright-Knox Art Gallery, Buffalo, NY

  • 1968 - Stable Gallery, New York

  • 1968 - Walker Art Center, Minneapolis, MN

  • 1967 - Weatherspoon Art Gallery, University of North Carolina

  • 1966 - Stable Art Gallery, New York

  • 1965 - Stable Art Gallery, New York



Group Exhibitions

  • 2013 - Cellblock I and II, An Essay In Exhibition Form, Andrea Rosen Gallery

  • 2012 - Art Wynwood, Westwood Gallery NYC

  • 2012 - On the Bowery. Silkscreens by Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing, John Giorno. Photographs by Eliot Elisofon, Westwood Gallery NYC

  • 2012 - Towards A Warm Math, On Stellar Rays Gallery NYC

  • 2011 - Art Miami, Westwood Gallery NYC

  • 1998 - Masters of the Masters, Butler Institute of American Art, Youngstown, OH

  • 1996 - Extended Minimal, Max Protetch Gallery, New York

  • 1995 - Drawing the Line, Ackland Art Museum, Chapel Hill, NC

  • 1995 - Alchemy, Procter Art Center, Annandale-on-Hudson, NY

  • 1995 - American Sculptors in the 1960s. Selected Drawings from the Collection, Museum of Modern Art, New York

  • 1994 - Off Balance, Artrax, New York

  • 1993 - On Paper, TZ’Art & Co, New York

  • 1992 - The Living Object: The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Oberlin, OH

  • 1989 - Geometric Abstraction and the Modern Spirit, Neuberger Museum, SUNY Purchase, Purchase, NY

  • 1989 - Max Protetch Gallery: 20 Years, Max Protetch Gallery, New York

  • 1988 - Kolner Kunstmarkt, Cologne, Germany

  • 1988 - 20th Anniversary Group Exhibition, Paula Cooper Gallery, New York

  • 1987 - Selections from Solid Abstractions, Saxon Lee Gallery, New York

  • 1987 - Group Show Gallery Artists, Max Protetch Gallery, New York

  • 1985 - Between Science and Fiction, Fundaçao Bienal de Sao Paulo, Brazil

  • 1985 - Geometric Abstractions: Selections from a Decade, 1975-1985, Bronx Museum of the Arts, Bronx, NY

  • 1984 - From the Collection of Sol LeWitt, The University Art Museum, California State Museum, Long Beach, CA

  • 1984 - Indiana Influence: The Golden Age of Indiana Landscape Painting. Indiana’s Modern Legacy: An Inaugural Exhibition of the Fort Wayne Museum of Art, Fort Wayne Museum of Art, Fort Wayne, IN

  • 1984 - Winter Group Exhibition, Protetch-McNeil, New York

  • 1984 - Dreams and Nightmares-Utopian Visions in Modern Art, Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC

  • 1983 - Drawings 1983, Annemarie Verna, Zurich, Switzerland

  • 1983 - Painting and Sculpture , Max Protetch Gallery, New York

  • 1983 - Connections:Bridges/ Ladders/ Ramps/ Staircases/ Tunnels, Institute of Contemporary Art, University of Pennsylvania, PA

  • 1983 - Abstract Painting: 1960-69, Institute for Art and Urban Resources, PS1, Long Island City, NY

  • 1982 - Post-Minimalism, Aldrich Museum of Contemporary Art, Ridgefield, CT

  • 1981 - Imaginary Civilizations , Tyler and Penrose Galleries, Tyler School of Art, Elkins Park, PA

  • 1981 - Amerikanische Zeichnungen der siebziger Jahre/ Drawing Distinctions: American Drawings of the Seventies , Louisiana Museum of Modern Art, Humlebaek, Denmark

  • 1980 - Architectural Sculpture , Los Angeles Institute of Contemporary Art, Los Angeles, CA

  • 1980 - Drawings/Structures , Institute of Contemporary Art, Boston, MA

  • 1980 - Michael Rea Collection of American Art 1960-80, McIntosh-Dysdale, Washington, DC

  • 1980 - Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, UK

  • 1979 - Indiana / New York, Washington Gallery, Indianapolis, IN

  • 1979 - Mind, Child, Architecture, New Jersey Institute of Technology, School of Architecture Gallery, Newark, NJ

  • 1979 - Drawings about Drawings: New Directions (1968-1978), Ackland Memorial Art Center, University of North Carolina, Chapel Hill, NC

  • 1979 - Art and Architecture: Space and Structure, Protetch-McIntosh, Washington, DC

  • 1978 - Dwellings, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1978 - Inaugural Exhibition, Max Protetch Gallery

  • 1977 - documenta 6, Kassel, Germany

  • 1976 - Fischbach Gallery, New York

  • 1976 - Painting, Drawing and Sculpture form the 60s and 70s from the Dorothy and Herbert Vogel Collection, Philadelphia College of Art, PA

  • 1976 - Art That Involves Words, Max Protetch Gallery, New York

  • 1976 - Drawing Today in New York , Sewall Gallery, Rice University, Houston, TX

  • 1976 - Private Notations: Artist’s Sketchbooks II, Philadelphia College of Art, Philadelphia, PA

  • 1976 - 15, John Gibson Gallery, New York

  • 1976 - New Gallery Artists, Max Protetch Gallery, New York

  • 1976 - Jahre Museum Haus Lange: Eine Retrospektive der Ausstellungen 1955 bis 1975, Museum Haus Lange, Krefeld, Germany

  • 1976 - American Salon des Refuses, Stamford Museum and Nature Center, Stamford, CT

  • 1975 - Narrative in Contemporary Art , McLaughlin Library, University of Guelph, Ontario, Canada

  • 1975 - Painting, Drawing and Sculpture from the 60s and 70s , the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1975 - Labyrinth: Symbol and Meaning in Contemporary Art, Watson Gallery, Wheaton College, Norton, MA

  • 1975 - Contemporary Drawings, William Paterson State College, Wayne, NJ

  • 1975 - Works on Paper, Annemarie Verna – Art 6/75, Basel, Switzerland

  • 1975 - Drawings U.S.A. '75, Minneapolis Museum of Art

  • 1975 - 20th Century Drawings, Hawthorne Gallery, Skidmore College, Saratoga Springs, NY

  • 1974 - Drawings 1974, Anemarie Verna, Basel, Switzerland

  • 1974 - Recent Acquisitions , Museum of Modern Art, New York

  • 1974 - Art Now 74: A Celebration of American Arts, John F. Kennedy Center for the Performing Arts, Washington, DC

  • 1974 - Art for Collecting , Akron Art Institute, Akron, OH

  • 1974 - Dealer's Choice, New York Cultural Center, New York

  • 1973 - American Drawings, New Gallery of Contemporary Art, Cleveland, OH

  • 1973 - Drawings 1963-1973, Whitney Museum of American Art, New York

  • 1973 - Art in Space: Some Turning Points , Detroit Institute of Arts, Detroit, MI

  • 1972 - Fischbach Gallery, New York

  • 1972 - Documenta 5 1972, Kassel, Germany

  • 1972 - Making Megalopolis Matter, New York Cultural Center, New York

  • 1972 - 7 Kolner Kunstmarkt, Cologne, Germany

  • 1972 - Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1972 - Drawings by New York Artists, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT (travelled to Henry Gallery, University of Washington, Seattle, WA; University Art Collection, Arizona State University, Tempe, AZ; Georgia Museum of Art, University of Georgia, Athens, GA; Finch College Museum of Art Contemporary Study Wing, New York; Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA)

  • 1971 - John Gibson: New York, Galerie Daniel Templon, Paris, France

  • 1971 - International Frujahrmesse, Berliner Galerien, West Berlin, Germany

  • 1971 - Projected Art, Finch College Museum of Art, New York

  • 1971 - Willard Gallery, New York

  • 1970 - L’art vivant aux Etats-Unis, Foundation Maeght, St. Paul-de-Vence, France

  • 1970 - Documentations 1970, John Gibson Gallery, New York

  • 1970 - The Expressive Line , Hecksher Museum, Huntington, NY

  • 1969 - Drawings 1969, Paula Cooper Gallery, Leo Castelli Gallery, New York

  • 1969 - Simultaneously, School of Visual Arts Gallery, New York

  • 1969 - Long Beach Island, New Jersey, Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ

  • 1969 - Will Insley, Fred Mitchell, Steve Poleskie, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY

  • 1969 - Ecological Art , John Gibson Gallery, New York

  • 1969 - Between Object and Environment: Sculpture in an Extended Format, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

  • 1968 - J.L. Hudson Gallery, Detroit

  • 1968 - The Weatherspoon Annual Exhibition: Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

  • 1968 - The Art of the Real, Paula Cooper Gallery, New York

  • 1968 - First World Triennial, New Delhi, India

  • 1968 - Painting: Out from the Wall, Des Moines Art Center, Des Moines, IA

  • 1968 - Cool Art , Aldrich Museum of Contemporary Art, Ridgefield, CT

  • 1968 - Painting Annual , Whitney Museum of American Art, New York

  • 1968 - Drawings, Heiner Freidrich Gallery, Munich, Germany

  • 1968 - Drawings, University of Puerto Rico, San Juan, PR

  • 1967 - First Kent Invitational, College Gallery, Kent State University, OH

  • 1967 - Sixth Biennial, Republic of San Marino, Brazil

  • 1967 - Schemata 7, Finch College Museum of Art, New York

  • 1967 - Monuments , Richard Feigen Gallery, New York

  • 1967 - Art Objectif, Galerie Stadler, Paris, France

  • 1967 - Contemporary American Painting and Sculpture 1967, Krannert Art Museum, Champaign, IL

  • 1966 - Park Place Gallery, New York

  • 1966 - Rigelhaupt Gallery, Boston, MA

  • 1966 - Art in Process. The Visual Development of A Structure, Finch College Museum of Art, Contemporary Study Wing, New York

  • 1966 - Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York

  • 1966 - Systemic Painting, Solomon R. Guggenheim Museum, New York

  • 1965 - A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward, Lyman Allyn Museum, New London, CT

  • 1965 - 25th Annual Exhibition by the Society for Contemporary American Art, Art Institute of Chicago

  • 1965 - Benefit for C.O.R.E, Graham Gallery, New York

  • 1965 - Shape and Structure 1965, curated by Frank Stella and Henry Geldzahler (Donald Judd, Carl Andre, Charles Hinman) Tibor de Nagy Gallery, New York

  • 1965 - Daniels Gallery, New York

  • 1955 - Behn Moore Gallery, Cambridge, MA

  • Whitney Museum of American Art, New York City

  • Brooklyn Museum of Art

  • Museum of Modern Art, New York City

  • The Drawing Center, NYC

  • Smithsonian American Art Museum, Washington, D.C.

  • Walker Art Center, Minneapolis, MN

  • Krannert Art Museum, University of Illinois at Urbana-Champaign

  • Ackland Art Museum

  • Allen Memorial Art Museum at Oberlin College

  • Andrew Dickson White Museum of Art at Cornell University

  • Des Moines Art Center, Des Moines, IA

  • Henry Art Gallery, University of Washington

  • Hirshorn Museum and Sculpture Garden, Washington, D.C.

  • Indianapolis Museum of Art, Indianapolis, IN

  • North Carolina Museum of Art, Raleigh, NC

  • Weatherspoon Art Museum, Greensboro, NC

  • Institute of Contemporary Art, University of Pennsylvania

  • Solomon R. Guggenheim Museum, New York

    • 2016 - Will Insley in Sol Lewitt's collection

    • 1990 - 'Will Insley: Max Protetch Gallery" by James Lewis

    • 1985 - "The Fragments from a Civilization" by Carter Ratcliff

    • 1984 - "A Realm of Logic Insanity" by Maurice Poirer

    • 1984 - "Art: Will Insley's Visions of a Labyrinthine City" by Vivien Raynor

    • 1983 - "Architecture: The Arts" by Vicki Lindner

    • 1983 - "The 60s in Abstract: 13 Statements and an Essay" by Maurice Poirer and Jane Nicol

    • 1983 - "An Experimental Outpost Looks Back" by Grace Glueck

    • 1980 - "New York" by J.L. Bourgeois

    • 1980 - Time and Space Concepts in Art by Marilyn Belford and Jerry Herman

    • 1977 - "Heizer's Circles: Insley's City" by William Zimmer

    • 1976 - "Review of Exhibitions: New York"

    • 1976 - "Reviews: New York" by Jeff Perrone

    • 1976 - Modern Art and the Object

    • 1976 - Unbuilt America by Alison Sky and Michelle Stone

    • 1975 - "Exhibitions Abroad: Puzzles and Illusions" by John A. Thwaites

    • 1975 - "Will Insley: Buildings / Fragments" by Donald Wall

    • 1974 - "Art Reviews" by Noel Frackman

    • 1974 - "Art Reviews" by Noel Frackman

    • 1974 - "Reviews" by Peter Frank

    • 1974 - "Austellungen"

    • 1974 - "Review" by Gunther Wirth

    • 1973 - "Pläne für eine andere Welt" by Heize Ingenplax

    • 1973 - "New York Galleries: Language and Visions"

    • 1973 - "Reviews and Previews" by William Johnson

    • 1973 - "Reviews and Previews" by April Kingsley

    • 1973 - "Reviews and Previews" by Douglas Crimp

    • 1971 - "Reviews" by Roberta P. Smith

    • 1971 - "Not for City Planners" by Ada L. Huxtable

    • 1971 - A Reading of Modern Art by Dore Ashton

    • 1970 - "Galleries" by Rosemary Mayer

    • 1970 - "In the Galleries" by Gregoire Muller

    • 1968 - "Modern Americans for Oberlin" by Ellen H. Johnson

    • 1968 - Minimal Art: A Critical Anthology by Gregory Battock

    • 1967 - "In the Galleries" by Jeanne Siegel

    • 1966 - "Art in Process Means It" by Edgar J. Driscoll

    • 1965 - "Reviews and Previews: New Names This Month" by Natalie Edgar

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  • “An Experimental Outpost Looks Back,” The New York Times, February 6, 1983, Sec. 2, p. 1, 29, Grace Glueck

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  • “New York”, Artforum, vol. 8, Feb. 1980, p. 76, J.L. Bourgeois

  • “Heizer’s Circles: Insley’s City,” Soho Weekly News, vol. 4, May 26, 1977, p. 21, William Zimmer

  • Modern Art and the Object, Thames and Hudson, London, 1976, pp. 14, 79, 131, Ellen H. Johnson

  • “Review of Exhibitions: New York,” Art in America, vol. 64, May-June 1976, pp. 72-73, Michael Krugman

  • “Reviews: New York,” Artforum, vol. 14, April 1976, pp. 70-71, Jeff Perrone

  • Unbuilt America, McGraw-Hill, New York, 1976, p. 138-40, Alison Sky and Michelle Stone

  • “Exhibitions Abroad: Puzzles and Illusions,” ARTnews, vol. 50, Nov. 1975, pp. 78-79, John A. Thwaites

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  • “Austellungen,” Das Kunstwerk, vol. 27, July 1974, p. 75, Gunther Wirth

  • “Reviews,” Artforum, vol. 13, Sept. 1974, p. 81, William Zimmer

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  • “Reviews and Previews”, ARTnews, vol. 72, January 1973, p. 78, Douglas Crimp

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  • A Reading of Modern Art, Harper & Row, New York, 1971, p. 39., Dore Ashton

  • “Not for City Planners,” The New York Times, April 18, 1971, Sec. D, p. 22., Ada Huxtable

  • “Exhibitions: Will Insley,” Architectural Design, vol. 41, June 1971, pp. 388-9, William Zimmer

  • “Galleries,” Arts Magazine, vol. 44, Dec – Jan 1970, p. 60, Rosemary Mayer

  • “In the Galleries,” Arts Magazine, vol. 44, Dec.-Jan 1970, p. 60, Gregoire Muller

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