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WESTWOODGALLERY

Tue - Sat, 10am - 6pm

262 Bowery, New York, NY 10012

212-925-5700

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Nobuho Nagasawa

PUBLICATIONS

2016 - Photos, Midori Yoshimoto, "Umi no Utsuwa and Earth Vortex: Nobuho Nagasawa Interweaves Oceanic and island Imageries.”
2016 - Photos and statement, “Liminality,” University of Florida Gallery, Gainesville, Florida 
2016 - Photos and statement, “7th Fukushima Biennial,” Fukushima, Japan
2016 - Photos and statement, “Imagining the Books Biennial,” Alexandria, Egypt
2015 - Photo and statement, Faculty Exhibition, Zuccaire Gallery, Staller Center for the Arts, Stony Brook, New York
2015 - Photos and statement, “7th Fukushima Biennial,” Fukushima, Japan 
2015 - Photos, Jonathan Goodman “The Poetics of Place and Time,” Sculpture September p. 34-39, photos
2014 - Photos, Midori Yoshimoto, Beyond ‘Japanese/Women Artists’ Transnational Dialogues in the Art of Nobuho Nagasawa and Chiharu Shiota, Third Text, 28:1, 67-81, photos
2014 - Hiroyuki Arai, Critique of Art about Tenno Emperor System: Beauty and Universalism and Nature 
2014 - Midori Yoshimoto, “Beyond Japanese Women Artists: Transnational Dialogues in the Art of Chiharu Shiota and Nobuho Nagasawa,” Third Text 2014, Vol. 28 No.1 p.67-81,Routledge 
2014 - Photos and statement, “6th Fukushima Biennial,” Fukushima, Japan 
2013 - Photos, Sagano, “Setouchi Art Triennial,” Kagawa, Japan
2012 - Photos, Midori Yoshimoto, "Contemporary Art at the Cathedral Church of St. John the Divine,” Art Action, History (Japanese academic journal), (January 5, 2012) No. 124, pp. 5-8
2012 - Photos and statement, “5th Fukushima Biennial,” Fukushima, Japan 
2012 - Photos and statement, “Hokkaido Garden Show,” Millennium Forest, Tokachi, Hokkaido, Japan 
2012 - Photos and statement, “Fourth State of Water,” Centre of Contemporary Art, Toruń, Poland 
2011 - Photo and statement, “The Value of Water,” The Cathedral Church of Saint John the Divine, New York 
2010 - Photo and statement, Faculty Exhibition, University Art Gallery, Staller Center for the Arts, Stony Brook, New York
2009 - “Berlin - New York Dialogues: Building in Context,” The Center for Architecture, Editor: AIA New York Chapter/Center For Architecture/Deutsches Architektur Zentrum, Berlin English/German
2009 - Photos, “Art and Nature Walk SurViving /AboutLive,” Foundation Nature Art Drenthe, the Netherlands  
2008 - Darrell D. Davisson, Art after the Bomb: Iconographies of Trauma in Late Modern Art, Author House p.205
2008 - Photo, Faculty Exhibition 2008, University Art Gallery, Staller Center for the Arts, Stony Brook, New York
2007 - Photos, Panta Rhi, Yumi Kori, Weekly Asahi 
2007 - Photos, “Japanese Meeting Point,” 2B Gallery, (www.pipacs.hu/2b) Budapest, Hungary
2007 - Photos, “Making A Home” Japanese Contemporary Artists in New York, New York,
2006 - Midori Yoshimoto, "Beyond Memories of Wars and Conflicts: Healing Art of Nobuho Nagasawa," Image and Gender (Japanese academic journal), vol. 6 (March 2006), pp. 58-64.
2006 - “Sotheby’s Contemporary Art Asia: China • Korea • Japan,” (installation) New York, New York 
2006 - Photos, Sinopale, “1st Sinop Biennial,” Sinop, Turkey 
2005 - Statement and photos, Arune, Shape of Life
2005 - Photo, Faculty Exhibition, University Art Gallery, Staller Center for the Arts, Stony Brook, New York    
2005 - Photos, “The 1st International Biennial for Artist Books,” Alexandria Library, Egypt
2004 - Midori Yoshimoto, "Reflections on Creative Collaborations in Contemporary Art: Collaborative Art of Nobuho Nagasawa," The Academic forum (New Jersey City University), vol. 13, no. 2 (2004), pp. 1, 55-61. 
2004 - Photos, and statement, “Recent Visions,” Clear Tooling, University Art Gallery, Staller Center for the Arts, Stony Brook, New York
2003 - Photo, Faculty Exhibition 2003, University Art Gallery, Staller Center for the Arts, Stony Brook, New York    
2003 - Photos, “2nd Echigo-Tsumari Art Triennial”, Niigata, Japan
2003 - Photos, “6th Sharjah International Art Biennial”, Sharjah Mesuem, United Arab Emirates
2002 - Mark Johnstone, Leslie Aboud Holzman Epicenter: San Francisco Bay Area Art Now Chronicle Books, pp.172-177 (photos) 
2002 - Photos, “Imagining the Books”, Alexandria Library, Alexandria, Egypt 
2002 - Photos, Landscape of Life, “Artists to Artists: A Decade of The Space Program, An Exhibition of Works by 161 Artists from The Space Program of the Marie Walsh Sharpe Art Foundation,” Ace Gallery, New York, New York
2002 - Photos and statement, 10th Asian Art Biennale Bangladesh, Osmani Memorial Hall and Shilpakara Academy, Dhaka, Bangladesh
2001 - Photo, Faculty Exhibition 2001, University Art Gallery, Staller Center for the Arts, Stony Brook, New York
2000 - Photos, New Urban Plaza for the 21st Century, Landscape Design Winter 2000, No. 22 p.32
2000 - Photos and statement, Echigo-Tsumari International Art Triennial 2000, Niigata, Japan
1999 - Statement and photos in 1998/99 Visual Arts Fellowship, California Arts Council Web site: http://www.cac.ca.gov/secondary_page/gallery_pg.htm 
1999 - Photo and statement, Far West-Far East, “Arborescence,” Paradise Wood Sculpture Grove, Santa Rosa, California 
1997 - Lucy R. Lippard, The Lure of the Local: Senses of Place in A Multicentered Society, New Press, New York, p.67 (photos)
1997 - Takashi Serizawa, Wander on this Planet: Alternative Way of Life in the Age of Internet, Iwanami Shoten Tokyo, pp.26-27
1997 - Photos and statement, May 13th, 1996, 10 A.M. I called the Pentagon, “Between Earth and the Heavens: Aspects of Contemporary Japanese Art II,” Rufino Tamayo Museum, Mexico City, Mexico 
1996 - Photos and statement, Celsius 233, “Origin and Myths of Fire: New Art from Japan, China and Korea,” Saitama Museum of Modern Art, Saitama, Japan  
1996 - Photos and statement, May 13th, 1996, 10 A.M. I called the Pentagon, “Between Earth and the Heavens: Aspects of Contemporary Japanese Art II,” Nagoya City Art Museum, Nagoya, Japan 
1995 - Mitsuhiro Kimura, Fram Kitagawa, Faret Tachikawa Art Project: A “New Century for City and Public Art,” Gendai Kikaku Shitsu, Tokyo, Japan, p.155, pp. 233-234, p. 267 (photos and statement)
1995 - Statement and photos, The World of Public Art, Taiyo, p.39, p.147
1995 - Statement and photos, West Coast Clay, Artweek, Vol. 26, No. 5, San Francisco, California (May)
1995 - Photo and statement, Nucleus, “Exploring A Movement: Feminist Visions In Clay: Society and Politics,” Downey Museum of Art, Downey, California  
1995 - Drawing, photos and statement, Bunker Motel:  Emergency Womb, “Peace Sculpture 1995, I, II,” Jutland, Denmark 
1995 - Photo and statement, Barefoot, “Sense of Loss, Feathers, and Footprints:  An Exhibition of Environmental Art,” University Art Gallery, California State Polytechnic University, Pomona, California
1995 - Photos and statement, Orient•a•tion, “A Gathering Place: Artmaking by Asian/Pacific Women in Traditional and Contemporary Directions,” Pacific Asia Museum, Pasadena, California 
1995 - Photo, Kiva, “Japanese Art After 1945: Scream Against the Sky,” Guggenheim Museum, New York, New York 
1994 - Photos, “Verbogene Natur-Shizen,” Ludwig Forum für Internationale Kunst, Aachen, Germany 
1994 - Photo and statement, The Atomic Cowboy, “Personally Defining Clay,” Contemporary Arts Center, New Orleans, Louisiana    
1994 - Drawing and statement, Mappa Mundi: Geo Politics/Geo Art: “Connections 2: Explorations in the Getty Center Collections,” The Getty Center for the History of Art and the Humanities, Santa Monica, California 
1994 - Photo, Kiva, “Japanese Art After 1945: Scream Against the Sky,” Yokohama Museum of Art, Yokohama, Japan
1993 - Statement and photos, “Artist Talk,” A.N. Press, Vol. 8, Tokyo, Japan (August)
1993 - Statement and photos, “Art in the Environment/Environment in Public,” A.T.E. Workshop Report, P3xNEC, P3 Art and Environment, Tokyo, Japan (June)
1993 - Photos, “Invisible Nature,” Ludwig Museum, Budapest, Hungary
1993 - Photos, “Invisible Nature,” Prague Castle, Prague, the Czech Republic
1992 - Alexandra Munroe, Japanese Art After 1945: Scream Against the Sky, Abrams, Inc. New York pp.268-269 (photo)
1992 - Yuji Maeyama, Contemporary Artists in Japan: Sculptors and Installation Artists, pp.166-167
1992 - Nobuho Nagasawa, Toh Vol. 50, Process 1984–1990, Kyoto Shoin, (November 25, 1992) Designed, images and text by Nobuho Nagasawa
1992 - Photos and statement, My Home Sweet Home in Ruins, “Urban Environment and Art: My Home Sweet Home in Ruins,” Setagaya Art Museum, Tokyo, Japan 
1992 - Photo, “New Sounds in New Shapes,” Hollywood Bowl Museum, Los Angeles, California
1991 - Statement and photos, “What is the Relationship between the Artist and the Society?” Atelier, No. 775, Tokyo, Japan (September)
1991 - Photos, “Invisible Material,” A.T.Gallery, Tokyo, Japan 
1991 - Drawing, Shelter, “27 Chairs,” The Sunshine Mission: Casa de Rosas, Daniel Saxon Gallery, Los Angeles, California 
1991 - Drawing, photos and statement, Babel, “Beyond the Manifesto,” Mito Annual ‘91 Vol. I, II, Art Tower Mito, Ibaragi, Japan
1990 - Photos and statement, “Artists Today,” Yokohama Citizen’s Gallery, Yokohama, Japan 
1990 - Photo, Kiva, “Japanese Clay Work Today,” Tochigi Prefecture Museum of Fine Arts, Tochigi, 
1987 - Photo, “Universiada International Art Exhibition,” Kobe, Japan
1987 - Photo and statement, Tower of Babel-Berlin, “Mythos Berlin,” Traveling Exhibition in Europe
1985 - Photos, “Hochschule der Künste Berlin FB1 Exhibition,” Germany