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Will Insley

PUBLICATIONS

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> It Takes One to Know One: Why Artists Make Ideal Collectors, Artnews, July 2015, Dan Duray

> The New American Abstraction 1950-1970, Second Volume, Skira Editore S.p.A, Italy, 2007, pp. 967-1011, Claudine Humblet

> Behind the Facts: Interfunktionen 1968-1975, Fundacio Joan Miro, Barcelona

> "Will Insley: Max Protetch Gallery,” Artforum, Summer 1990, p. 159, James Lewis

> “The Fragments from a Civilization,” Art in America, vol. 73, April 1985, pp. 150-159, Carter Ratcliff

> “A Realm of Logic Insanity,” ARTnews, vol. 83, Nov. 1984, pp. 102-9, Maurice Poirer

> “Art: Wil lInsley’s Visions of a Labyrinthine City,” The New York Times, Sept. 1984, Sec. C, p. 32, Vivien Raynor

> “An Experimental Outpost Looks Back,” The New York Times, February 6, 1983, Sec. 2, p. 1, 29, Grace Glueck

> “Architecture”: The Arts,” Omni, vol. 6, October 1983, pp. 34, 222., Vicki Lindner

> “The 60s in Abstract: 13 Statements and an Essay.” Art in America, vol. 71, Oct. 1983, pp. 123-137, Maurice Poirer

> Time and Space Concepts in Art, Pleides Gallery, New York, 1980, pp. 57-78, Marilyn Belford & Jerry Herman, eds..

> “New York”, Artforum, vol. 8, Feb. 1980, p. 76, J.L. Bourgeois

> “Heizer’s Circles: Insley’s City,” Soho Weekly News, vol. 4, May 26, 1977, p. 21, William Zimmer

> Modern Art and the Object, Thames and Hudson, London, 1976, pp. 14, 79, 131, Ellen H. Johnson

> “Review of Exhibitions: New York,” Art in America, vol. 64, May-June 1976, pp. 72-73, Michael Krugman

> “Reviews: New York,” Artforum, vol. 14, April 1976, pp. 70-71, Jeff Perrone

> Unbuilt America, McGraw-Hill, New York, 1976, p. 138-40, Alison Sky and Michelle Stone

> “Exhibitions Abroad: Puzzles and Illusions,” ARTnews, vol. 50, Nov. 1975, pp. 78-79, John A. Thwaites

> “Will Insley; Buildings / Fragments,” Arts Magazine, vol. 50, Nov. 1975, pp. 70-74, Donald Wall

> “Art Reviews.” Arts Magazine, vol. 49, November 1974, p. 8, Noel Frackman

> “Reviews,” ARTnews, vol. 73, October 1974, pp. 120, 122, Peter Frank

> “Review,” Studio International, vol. 187, June 1974, p. 305, Gunther Wirth

> “Austellungen,” Das Kunstwerk, vol. 27, July 1974, p. 75, Gunther Wirth

> “Reviews,” Artforum, vol. 13, Sept. 1974, p. 81, William Zimmer

> Art in Space: Some Turning Points, The Detroit Institute of Arts

> “Reviews and Previews”, ARTnews, vol. 72, January 1973, p. 78, Douglas Crimp

> “Pläne für eine andere Welt”, Rheinische Post, October 6, 1973., Heize Ingenplax

> “Reviews and Previews,” ARTnews, vol. 72, May 1973, p. 16, William Johnson

> “Reviews and Previews,” ARTnews, vol. 72, May 1973, pp. 89-90, April Kingsley

> “New York Galleries: Language and Visions,” Arts Magazine, vol. 48, Sept. – Oct. 1973, p. 66, Rosemary Mayer

> “Reviews,” Artforum, vol. 11, June 1973, pp. 86-87, Roberta P. Smith

> “Pläne für eine andere Welt,” stadt Anzeiger, Krefeld, October 4, 1973, p. 1, William Zimmer

> A Reading of Modern Art, Harper & Row, New York, 1971, p. 39., Dore Ashton

> “Not for City Planners,” The New York Times, April 18, 1971, Sec. D, p. 22., Ada Huxtable

> “Exhibitions: Will Insley,” Architectural Design, vol. 41, June 1971, pp. 388-9, William Zimmer

> “Galleries,” Arts Magazine, vol. 44, Dec – Jan 1970, p. 60, Rosemary Mayer

> “In the Galleries,” Arts Magazine, vol. 44, Dec.-Jan 1970, p. 60, Gregoire Muller

> Minimal Art: A Critical Anthology, E.P. Dutton & Co., New York, 1968, pp. 58, 359-363, Gregory Battock

> “Reviews and Previews”, ARTnews, vol. 67, April 1968, pp. 15- 16, Scott Burton

> “Modern Americans for Oberlin,” The Burlington Magazine, vol. 110, June 1968, p. 356 (reprinted as “Four American Acquisitions,” in Allen Memorial Art Museum Bulletin, vol. 26, Fall 1968, p. 31), Ellen H. Johnson

> “Reviews and Previews”, ARTnews, vol. 66, Summer 1967, p. 20, Rackstraw Downes

> “In the Galleries,” Arts Magazine, vol. 41, Summer 1967, p. 57, Jeanne Siegel

> “Reviews and Previews”, ARTnews, vol. 65, April 1966, p. 16, Scott Burton

> “Art in Process Means It,” The Boston Globe, October 1, 1966, p. 9, Edgar Driscoll

> “Reviews and Previews: New Names This Month,” ARTnews, May 1965, pp. 18-19, Natalie Edgar